Maya Stiller


Maya Stiller headshot
  • Associate Professor, Korean Art and Visual Culture
  • Director of Undergraduate Studies
She/her/hers

Contact Info

231 Spencer Museum of Art

Biography

Maya Stiller is an Associate Professor of Korean Art History and Visual Culture as well as Director of Undergraduate Studies in the Art History Department at the University of Kansas. She earned her Dr. phil. in East Asian Art History from Freie Universität Berlin in 2008 and a Ph.D. in Buddhist Studies from UCLA in 2014. Her first book, Carving Status at Kŭmgangsan: Elite Graffiti in Premodern Korea, won the 2021 Patricia Buckley Ebrey Prize from the American Historical Association and a honorable mention from the Association for Asian Studies’ James Palais Prize. Recent articles have been published in the Journal of the American Oriental Society, Artibus Asiae, Cahiers d’Extreme-Asie, Journal of Asian Studies, and Journal of Korean Religions. Professor Stiller is currently working on a book about Buddhist temple architecture in Korea. She is particularly interested in transcultural artisanal practices and patronage networks, the economic frameworks that underpin artistic production, and eco-critical questions related to the materiality and environmental contexts of Korean art.

Professor Stiller offers a wide range of courses that encourage students to engage with both modern/contemporary art as well as pre-modern Korean visual and material culture. Her classes are designed to integrate critical theory with hands-on research and embodied experiences, engaging students with Korean artifacts found in local museums and archives, and training them in both traditional research methods and cutting-edge digital approaches. As an affiliated faculty member in the Center for East Asian Studies, Professor Stiller’s work also contributes to the East Asian Languages and Cultures programs at KU.

Prospective Graduate Students: Professor Stiller invites applications from students interested in pursuing a Ph.D. in Korean art history. Students will have the rare opportunity to work on projects that bridge the ancient and modern, from ancient Buddhist art and architecture and Chosŏn visual culture to the complexities of modern painting in North and South Korea and contemporary performance art, offering students the opportunity to become experts in both premodern and modern Korean art. Professor Stiller is especially interested in students who are eager to engage in transhistorical and transnational research, blending traditional research approaches with innovative methodologies of the so-called “Digital Humanities.”

Education

Ph.D. in Asian Languages & Cultures, University of California, Los Angeles, 2014
Ph.D. in East Asian Art History, Freie Universität Berlin, 2008
M.A. in Korean Studies & Art History, Humboldt-Universität zu Berlin, 2003

Teaching

Graduate Seminars
Buddhist Art of Korea: Faith, Power, and Paradise
Digital Humanities for Art Historians
Eco-Critical Approaches to Korean Art
Korean Architecture
Korean Ceramics in East Asia
Korea-Japan Artistic Interactions
Korean Painting, 1400 CE – present
Sacred Sites in East Asia
The Economics of Buddhist Art in East Asia
Directed Readings in Korean Buddhism and Korean Buddhist Art

 

Lecture Classes
Buddhist Art of Korea
Ceramics History of Korea
Ceramics History of East Asia
Introduction to Korean Art
K-Pop & the Arts
Modern Korean Art & Culture
Zen Arts of Korea, China, and Japan

Selected Publications

Digital project:
Autographic Atlas of Korea. Digital exploration tool, relational database & search engine of graffiti sites in Korea.

Print Publications:
Carving Status at Kŭmgangsan: Elite Graffiti in Premodern Korea. Seattle: University of Washington Press. Winner of the American Historical Association’s 2021 Patricia Buckley Ebrey PrizePublisher's website & reviews.

“Carpenter-Monks as Crafters of Chosŏn Architecture: Bridging Sacred and Secular Spaces.” Journal of Korean Religions 15, no. 1 (2025): 57-87.

“Intra-Regional Alliances: Patronage Networks Among Buddhist Monks, Eunuchs, and Female Rulers in Late Unified Silla (668-935 CE) and Koryŏ Korea (918-1392 CE).” Journal of the American Oriental Society 144 (2024): 855-878.

“Monk Portraits in Late Chosŏn Korea: Exploring Social, Economic, and Gender Dynamics in Pre-modern Korean Buddhist Art.” Artibus Asiae 83, no. 2 (2023): 171-197.

“Warrior Gods and Otherworldly Lands: Daoist Icons and Practices in Late Chosŏn Korea.” Religions 13 (2022): 1105. PDF link

Precious Items Piling Up Like Mountains: Buddhist Art Production via Fundraising Campaigns in Late Koryŏ Korea (918-1392 CE).” Religions 12, no. 10 (2021): 885 (17 pages).

"Beyond Singular Tradition: 'Buddhist' Pilgrimage Sites in Late Chosŏn Korea." Journal of Korean Religions 11, no. 2 (2020): 135-172.

"Slaves, Village Headmen, and Aristocrats: Patronage and Functions of Buddhist Sculpture Burials in Late Koryŏ/Early Chosŏn Korea." Cahiers d’Extreme-Asie (2019): 265-291.

The Politics of Commemoration: Patronage of Monk-General Shrines in Late Chosŏn Korea.” The Journal of Asian Studies, vol. 77, issue 1 (2018): 83-105.

Awards & Honors

American Historical Association’s 2021 Patricia Buckley Ebrey Prize
J. Michael Young Academic Advisor Award, University of Kansas, 2020.

Grants & Other Funded Activity

Pony Chung Senior Fellowship, Research Institute of Korean Studies, Korea University, 2023. Korea Foundation Field Research Fellowship, Department of Archaeology and Art History, Seoul National University, 2023.

ACLS/The Robert H.N. Ho Family Foundation Postdoctoral Fellow in Buddhist Studies, Department of History of Art and Architecture, Harvard University, 2016-2018.

Soon Young Kim Postdoctoral Fellow, Korea Institute, Harvard University, 2015-2016.

Research Fellow, Art History Department, Kyūshū University, Fukuoka, 2011-2012.