SPRING 2027 ART HISTORY COURSES

Please check back for more updates. Use the Schedule of Classes link below to look up current information regarding times, instructors, and locations.

Schedule of Classes

For a complete list of all history of art courses and degree requirements, see the academic catalog.

Courses numbered 500+ may be taken for graduate credit.

Undergraduate Courses

Interior view of a large Renaissance chapel with gray-and-white marble architectural elements, tall fluted pilasters, arched windows, and decorative niches. At the center is an elaborate marble tomb featuring three sculpted human figures: one seated above the tomb and two reclining on either side below. The floor has a geometric black-and‑white pattern, and wooden doors line the walls on both sides.

HA 100/300 Intro to Western Art History

Online and In-person sections available
Core 34: Arts & Humanities
Intended for non-majors
A nighttime photograph of the Parthenon on the Acropolis in Athens, illuminated by warm artificial lighting that highlights the building’s Doric columns and partially reconstructed entablature. The structure stands atop a large stone platform, with scaffolding visible along several sections of the colonnade, indicating ongoing conservation work. The surrounding sky is a deep blue, creating contrast with the golden tones of the marble. The foreground shows the rugged stone fortification wall of the Acropolis

HA 150 History of Western Art: Ancient through Medieval

Core 34: Arts & Humanities
Foundation Course
A painted scene showing two seated figures on a wooden bench against a stormy gray sky. The two figures sit side by side and hold hands. Each figure’s chest is shown open to reveal anatomical hearts connected by a shared artery. The figure on the left wears a white dress with lace details, and the figure on the right wears a blue top and a brown skirt. Blood flows from the exposed heart of the figure on the left, trailing down onto the white skirt. The composition is symmetrical, with both figures depicted

HA 151 History of Western Art: Renaissance to Contemporary

Core 34: Arts & Humanities
Foundation Course
A large rock‑cut shrine is carved into a cliff face, featuring two monumental seated figures sculpted directly from the stone. The larger figure sits with both hands resting on the lap, wearing a carved draped garment with detailed folds and patterned motifs along the chest and shoulders. A second, slightly smaller figure sits to the right, with one hand raised and similarly dressed in a patterned robe. Both sculptures are framed by recessed niches with intricate carved reliefs behind and around them. A met

HA 166 The Visual Arts of East Asia

Online and In-person sections available
Core 34: Global Culture
Foundation Course
Cross-listed with EALC 198

Jr/Sr Undergraduate Courses

Detail of medieval map

HA 305/528/550 Spatial Arts of Urban Italy

Major Breadth Requirements: Europe and Pre-1400
Capstone offered
Cross-listed with HIST 389/ ARCH 600
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HA 326/526 Greek Archaeology and Art

Major Breadth Requirements: Europe and pre-1400
Cross-listed with CLSX 326/526
A large Renaissance fresco depicting an architectural hall filled with numerous ancient philosophers engaged in discussion, teaching, and contemplation. The setting features grand arches, marble steps, and statues in niches along the walls. Figures cluster in groups across the foreground and midground, some standing, some seated on the steps, and others gesturing toward one another. At the center, two prominent figures walk side by side down the middle of the hall, surrounded by other scholars. The composit

HA 330 Italian Renaissance Art

Online Course
Core 34: Arts & Humanities
Major Breadth Requirements: Europe and 1400-1850
Large white sculpture of a sphinx-like figure with a scarf on its head inside a warehouse.

HA 337/567/550 Contemporary Art

Major Breadth Requirements: Cross-regional and post-1850
Capstone offered

Jr/Sr Undergraduate Courses

Polished wood sculpture resembling a clenched fist, displayed against a gray background.

HA 339/539/550 African American Art History

Major Breadth Requirements: East Asia and cross-period
Capstone offered
Cross-listed with AMS 339/ AAS 339/ HIST 389 / AAAS 539
Painting of a figure holding the French tricolor flag aloft amid a battlefield scene.

HA 342/533/550 Rococo to Realism: European Painting 1750-1848

Major Breadth Requirements: Europe and 1400 -1850
Capstone offered
Cross-listed with HIST 389 / WGSS 533
A brightly colored illustrated cover featuring a cartoon-style character flying through a stylized outer‑space background. The character has a compact, youthful body, pointed hair, a white top, dark shorts, and large red boots, with one arm extended forward. Behind the character are swirling bands of color and several planet‑like spheres with ring shapes. At the top of the cover, bold lettering reads “Osamu Tezuka’s Original ASTRO BOY,” with additional small printed text in a circular badge near the upper l

HA 344 Manga: Histories and Theories

Online Course
Major Breadth Requirements: East Asia and post-1850
Cross-listed with HA 344
Traditional Japanese pavilion beside a pond, surrounded by trees, shrubs, and a landscaped garden.

HA 348/548/550 Garden Culture of Japan and China

Major Breadth Requirements: East Asia and cross-period
Capstone offered
Cross-listed with EALC 331 / HIST 390 / ARCH 580/780

Jr/Sr Undergraduate Courses

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HA 353 Modern & Contemporary African Art

Online Course
Major Breadth Requirements: Americas, Africa, Middle East and post-1850
Cross-listed with AAAS 353
Japanese woodblock print of a person in an orange robe with a stylized expression and hair ornaments.

HA 354/554/550 Japanese Prints

Major Breadth Requirements: East Asia and 1400-1850
Capstone offered
Cross-listed with EALC 354
A large outdoor mural depicting a group of figures in celebratory poses. Several uniformed figures appear to be greeting or embracing others dressed in everyday clothing. Some individuals hold flowers, and others raise their arms upward. The scene includes people clustered together across the width of the mural, shown in front of a textured background with faint silhouettes of additional figures above them. The mural is mounted on a long wall with a red lower border, and the ground in front of it is paved.

HA 363 Modern Korean Art and Culture

Online Course
Major Breadth Requirements: East Asia and post-1850
Cross-listed with EALC 373
A group of seven performers stands on a brightly lit stage with a glossy yellow floor. All seven wear coordinated outfits in shades of yellow and beige, including tailored jackets, long coats, trousers, and white footwear. Several performers hold microphones, and one performer near the left has one arm raised. The background features a large yellow display with partially visible bold black lettering. Off to the side, additional people are visible in the dimly lit audience area with raised hands. The stage i

HA 365 K-Pop & the Arts

Online Course
Major Breadth Requirements: East Asia and post-1850
Cross-listed with EALC 365

Jr/Sr Undergraduate Courses

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HA 368 Art & Culture of China

Major Breadth Requirements: East Asia and cross-period
Core 34: Global Culture
Cross-listed with EALC 368
A black‑and‑white photograph showing an individual standing beside an early 20th‑century luxury automobile parked on a city street. The person is wearing a long, heavy fur coat and heeled shoes, positioned next to the open car door. The car features large white‑wall tires, a prominent spare wheel mounted on the side, and polished chrome detailing. Behind the vehicle is a row of tall stone townhouses with stoops and evenly spaced windows, creating an urban residential backdrop.

HA 380 History of Photography

Online Course
Major Breadth Requirements: Americas, Africa, Middle East and post-1850
Wood sculpture of monkey

HA 387/587/550 Japanese Sculpture

Major Breadth Requirements: East Asia and cross-period
Capstone offered
Cross-listed with EALC 386

Graduate Seminars

Religious painting of Our Lady of Guadalupe surrounded by radiant light and ornate devotional scenes.

HA 706/906 Writing Material Culture in Colonial North America

This seminar introduces students to the rich field of material culture studies with a focus on colonial North American. This class will provide participants with a strong foundation in the diverse histories of colonial North America, an introduction to the methodology and historiography of American material culture studies, and multiple opportunities to develop and workshop their own writing. Drawing on the framework of “Vast Early America,” class sessions will connect cultural and geographic spaces and histories that are traditionally treated as distinct within studies of the visual and material world of North America. Examining a wide range of objects and materials including textiles, architecture, paintings, maps, and more, the course considers how objects were sites for cultural negotiation between the many peoples and empires of the continent.
Medieval sculpture of four figures on corner of building.

HA 706/925 The Problem of Plunder: Spolia in Medieval Art & Architecture

This seminar will explore classic and contemporary debates on the nature and meaning of the ubiquitous practice of incorporating preexisting artifacts into new objects or monuments in the Middle Ages. Modern art historical discourse lumps these reused elements together under the catchword spolia (plunder), although they were not necessarily acquired by violent means. Scholars of spolia have focused on developing competing taxonomies of reuse, or on monuments that include ancient Roman fragments. How useful has the taxonomic approach been in interpreting the phenomenon? Has the emphasis on the antique obscured other modes of spoliation? How does it relate to other modes of citation or allusion? What is the practice's relationship to appropriation? What other conceptual frameworks might illuminate the practices of material reuse in the Middle Ages?
Immersive yellow art installation covered in black polka dots, featuring mirrors and several visitors.

HA 720 Asian Art: Theory and Method

This course examines important methodologies and theories of the past and present employed in the field of Asian art history. Through critical reading of primary documents and secondary scholarship, students will gain historical perspective on and practical tools for research in the history of Asian art and visual culture
Dimly lit temple hall with large Buddhist statues, wooden columns, and a raised walkway.

HA 788/990 Museums and Premodern East Asian Art History

Graduate Seminar:
How do museums outside Asia contribute to the scholarship and presentation of premodern East Asian art history? What are the roles of the art historian? What obstacles do museums face? Class discussion will address the complex history of colonial collecting, object preservation, challenges of public engagement, as well as East Asian art trends of collecting, exhibition, and display. Students in the seminar will gain experience with objects in the Spencer Museum of Art (especially the upcoming touring exhibition Gateway to Himalayan Art from the Rubin Museum), Nelson-Atkins Museum of Art, Spencer Research Library, and elsewhere